A leading figure within The Bloomsbury Group and known for her unconventional lifestyle, Vanessa Bell’s work as a painter, designer and decorator has often been overlooked and relegated within the bombastic, male-dominated field of British modernism.

With new research including previously unpublished letters, Wendy Hitchmough explores the ways in which Vanessa Bell forged new pathways as a modernist woman. Writing openly about depression and mental health at a time when the subject was stigmatised, as well as challenging taboos surrounding women’s bodies, Vanessa Bell exploited the patriarchal society that oppressed her. She responded to the nudes and pastoral scenes of Cézanne, Gauguin, Picasso and Matisse with themes of miscarriage and motherhood. She co-exhibited with her partner, Duncan Grant, and comparisons between their parallel careers highlight the gender disparities that shaped her life and work.